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L.T. Horowitz

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A series of spot illustrations for the New York Review of Books

A series of spot illustrations for the New York Review of Books

A series of spot illustrations for the New York Review of Books

A series of spot illustrations for The New York Review of Books

Featured

Over the Yardarm 44 page book with a softcover. Double sided monoprints on mulberry, rice and arches paper Hand stitched with thread. 13x17x1

Over the Yardarm 44 page book with a softcover. Double sided monoprints on mulberry, rice and arches paper Hand stitched with thread 13x17x1

Bison monoprint on fabric, charcoal, acrylic, on canvas 9x12 in

Edge Dweller Oil on monoprint on canvases. Glue and machine sewn thread. 36x54 2022

Square Roots 12/2022 Acrylic on canvas, synthetic and human hair, wood, found creek foam, crab shell, resin, plexiglass 96x66x6

Nymph 12/2022 Personal and Synthetic Hair, Found Foam from Newton Creek, Resin 28x22x2

Ana graphite power, pastel, acrylic, on paper. 22 x 30 in.

X on Screen 5/23 Acrylic on plaster molds, synthetic and human hair, electric wire and threads, lead cube, plaster slabs, chicken wire, sissel threads, steel, TV, mirror, insulation foam, expandable foam, sea shell, white and red clay, resin, sh

X on Screen 5/23 Acrylic on plaster molds, synthetic and human hair, electric wire and threads, lead cube, plaster slabs, chicken wire, sissel threads, steel, TV, mirror, insulation foam, expandable foam, sea shell, white and red clay, resin

Sometimes She Doesn’t Pick Up (detail) 5/23 Acrylic on canvas, gesso, grommets, steel rods, plaster molded stabilizing feet lined with electrical wire, chicken wire, sissel, human hair 92x60x18 in

X on Screen 5/23 Acrylic on plaster molds, synthetic and human hair, electric wire and threads, lead cube, plaster slabs, chicken wire, sissel threads, steel, TV, mirror, insulation foam, expandable foam, sea shell, white and red clay, resin

X on Screen 5/23 Acrylic on plaster molds, synthetic and human hair, electric wire and threads, lead cube, plaster slabs, chicken wire, sissel threads, steel, TV, mirror, insulation foam, expandable foam, sea shell, white and red clay, resin

Brother 2024 Acrylic, charcoal, graphite on canvas 72×37 in

Sometimes She Doesn’t Pick Up (detail) 5/23 Acrylic on canvas, gesso, grommets, steel rods, plaster molded stabilizing feet lined with electrical wire, chicken wire, sissel, human hair 92x60x18 in

Grab 12/2022 Oil on Monoprint on Canvas 54x33

Sometimes She Doesn’t Pick Up (detail) 5/23 Acrylic on canvas, gesso, grommets, steel rods, plaster molded stabilizing feet lined with electrical wire, chicken wire, sissel, human hair 92x60x18 in

To Pull To Call You Back 03/2022 Ink Wash, Charcoal, Pastel, Graphite on Found Stonehenge 37.5x56

Decreation 11/2022 Monoprints on canvases on canvas. Machine sewn and hand sewn with thread. Wood and acrylic paint. 66x96x10

Illustration in collaboration with Joni Murphy for the website 7×7.la

Iter Portrait 8.5x11 risograph

All Purpose Pronoun for the New York Times magazine. Illustration made while working at the office of Paul Sahre.

Illustration made in collaboration with the author Joni Murphy for the webstie 7×7.la

Illustration made in collaboration with the author Joni Murphy for the website 7×7.la

Sense + sensibility illustration for the New York Times book review. Made in collaboration with Peter Ahlberg.

Illustration for the New Republic for the article Life in Post Internet Dystopia which reviews recent books by Jonathan Letham and Don Dellilo.

Illustration about the psychology of playing tennis.

Current 04/2022 Ink Wash, Graphite, Gouache, Pastel on Arches 67x58

Untitled Graphite wash with pastel and acrylic medium on arches archival paper. 22×30

Editorial illustration for The Baffler. Barry Yeoman writes an article about having a stutter and how society deals with people who speak differently. Read the article here .

Spot illustration for the New York Review of Books

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Copyright Leah Horowitz 2025