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L.T. Horowitz

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A series of spot illustrations for the New York Review of Books A series of spot illustrations for the New York Review of Books A series of spot illustrations for the New York Review of Books nyrb_horowitz_7.jpg nyrb_horowitz_10.jpg

A series of spot illustrations for The New York Review of Books

Featured
 Over the Yardarm 44 page book with a softcover. Double sided monoprints on mulberry, rice and arches paper Hand stitched with thread.	 13x17x1
 Over the Yardarm 44 page book with a softcover. Double sided monoprints on mulberry, rice and arches paper Hand stitched with thread	 13x17x1
 Bison  monoprint on fabric, charcoal, acrylic, on canvas  9x12 in
 Edge Dweller    Oil on monoprint on canvases.    Glue and machine sewn thread.  36x54  2022
  Square Roots    12/2022    Acrylic on canvas, synthetic and human hair, wood, found creek foam, crab shell, resin, plexiglass    96x66x6
 Nymph   12/2022   Personal and Synthetic Hair, Found Foam from Newton Creek, Resin   28x22x2
 Ana  graphite power, pastel, acrylic, on paper. 22 x 30 in.
 X on Screen   5/23   Acrylic on plaster molds, synthetic and human hair, electric wire and threads, lead cube, plaster slabs, chicken wire, sissel threads, steel, TV, mirror, insulation foam, expandable foam, sea shell, white and red clay, resin, sh
 X on Screen     5/23     Acrylic on plaster molds, synthetic and human hair, electric wire and threads, lead cube, plaster slabs, chicken wire, sissel threads, steel, TV, mirror, insulation foam, expandable foam, sea shell, white and red clay, resin
 Sometimes She Doesn’t Pick Up (detail)  5/23   Acrylic on canvas, gesso, grommets, steel rods, plaster molded stabilizing feet lined with electrical wire, chicken wire, sissel, human hair   92x60x18 in
 X on Screen     5/23     Acrylic on plaster molds, synthetic and human hair, electric wire and threads, lead cube, plaster slabs, chicken wire, sissel threads, steel, TV, mirror, insulation foam, expandable foam, sea shell, white and red clay, resin
 X on Screen     5/23     Acrylic on plaster molds, synthetic and human hair, electric wire and threads, lead cube, plaster slabs, chicken wire, sissel threads, steel, TV, mirror, insulation foam, expandable foam, sea shell, white and red clay, resin
 Brother   2024   Acrylic, charcoal, graphite on canvas  72×37 in
 Sometimes She Doesn’t Pick Up (detail)    5/23     Acrylic on canvas, gesso, grommets, steel rods, plaster molded stabilizing feet lined with electrical wire, chicken wire, sissel, human hair     92x60x18 in
 Grab   12/2022    Oil on Monoprint on Canvas   54x33
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 Sometimes She Doesn’t Pick Up (detail)    5/23     Acrylic on canvas, gesso, grommets, steel rods, plaster molded stabilizing feet lined with electrical wire, chicken wire, sissel, human hair     92x60x18 in
 To Pull To Call You Back   03/2022   Ink Wash, Charcoal, Pastel, Graphite on Found Stonehenge   37.5x56
 Decreation				  11/2022					  Monoprints on canvases on canvas.  Machine sewn and hand sewn with thread. Wood and acrylic paint.	  66x96x10
 Illustration in collaboration with Joni Murphy for the website  7×7.la
 Iter Portrait  8.5x11 risograph
leahhorowitz_bluebison.jpg
 All Purpose Pronoun for the New York Times magazine. Illustration made while working at the office of Paul Sahre.
 Illustration made in collaboration with the author Joni Murphy for the webstie  7×7.la
 Illustration made in collaboration with the author Joni Murphy for the website  7×7.la
 Sense + sensibility illustration for the New York Times book review. Made in collaboration with Peter Ahlberg.
 Illustration for the New Republic for the article  Life in Post Internet Dystopia  which reviews recent books by Jonathan Letham and Don Dellilo.
 Illustration about the psychology of playing tennis.
 Current   04/2022   Ink Wash, Graphite, Gouache, Pastel on Arches   67x58
View fullsize  Untitled  Graphite wash with pastel and acrylic medium on arches archival paper.   22×30
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View fullsize  Editorial illustration for The Baffler. Barry Yeoman writes an article about having a stutter and how society deals with people who speak differently. Read  the article here .
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View fullsize Spot illustration for the New York Review of Books
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Copyright Leah Horowitz 2025